Home | Sponsors | Spey Clave |
|
#1
|
|||
|
|||
|
Need critic about casting
Critic from everyone is good for me.
(preparing thci exam) Thank you http://www.youtube.com/watch?v=FGlPw...layer_embedded |
|
#2
|
||||
|
||||
|
Good job, you look very relaxed, good for you for switching hands. You are casting really nice and easy on everything which will be good to show to new students. With more of the line stripped out maybe a bit more accelaration on the forward stroke and a more pronounced dead stop, it will shoot the line with a bit more energy, but don't over do it, you don't need much, you're really smooth so keep it that way.
|
|
#3
|
|||
|
|||
|
I agree with the above post. Very nice, precise and relaxed. I prefer to look like I'm killing snakes
__________________
"Learn to sneak, man, learn to sneak." Patrick McManus, Gunrunning. |
|
#4
|
|||
|
|||
|
Maybe could be important for critic - equipment which I use.
Rod is GuideLine LeCie #10/11 14'8" Line is Carron Line, JetStream - Pro Line 10/11 Floating, 65 ft Head And yes I expect rigid critics. Thank you. |
|
#5
|
|||
|
|||
|
Quote:
On your video I see a few things that I would not like to see in an exam. I hope that you do not mind me pointing them out as I only wish to help and if you are not happy with me posting them to the public I can private message you on them. Please let me know. fishhunt.ie
__________________
|
|
#6
|
|||
|
|||
|
Hi, yes of course, you can do it public, it will be good also for other. This is forum.
Thank you |
|
#7
|
|||
|
|||
|
Ukraine, end of April is exam.
|
|
#8
|
|||
|
|||
|
This is just my opinion and very hard to see a full picture from this short video. From what I think and it took my old computer a long time to play it so I only watched it a few times. When you are casting on your left side you are pulling your bottom hand across to the left side of your body on the final delivery. This will invariably lead to a tracking issue. On your single Spey you did not address your final delivery (your feet where still pointing downstream). I did not see a pause on the double Spey this can lead to a bloody L I would also try to place the line as far away from me in the line placing move. If you are casting with 80 feet of line from foot to target then I would suggest that you use a longer stroke by incorporating some weight shift. If you do that then you will be able to have a much higher stop and the 100 feet cast will not be a problem. I will leave it at that I am sure you will give me a hard time on this much.
__________________
|
|
#9
|
||||
|
||||
|
A couple things I'm seeing in your cast that I personally would work on:
1. Make your bottom hand more active in the cast, to me it seems to be just along for the ride and doesn't really make a meaningful contribution to the cast. Whether it be a 50/50 top hand bottom hand cast or a more bottom hand dominant cast you'll find your cast will be come a lot livelier and you'll get a lot more distance with a lot less effort. 2. Put your body in to the cast, when your torso becomes active in the cast this will also add to the efficiency of the cast. I try to think of my cast the same way a golfer swings a club or a baseball player swings a bat. Use your whole body and you'll (again) get a lot more distance with a lot less effort. I hope this helps, Thanks,
__________________
Alcohol doesn't make me less inhibited, it just makes me more of a retard. |
|
#10
|
|||
|
|||
|
Quote:
- I did not see a pause on the double Spey this can lead to a bloody L.. Not understand this about pause and Bloody L - about stop.... yes I agree Thank you, of course and other |
|
#11
|
|||
|
|||
|
Quote:
- this is my new line and first go to the river after 5 months of winter. Need to warm up my muscles - In this 2,3 hours just want to fill line and decide at the moment to make this video to use for checking some part of my spey casting. Thank you for critics and please continue |
|
#12
|
|||
|
|||
|
Quote:
I would also agree with Ian and this is why I said weight shift so get that body rocking and rolling. Rocking being weight shift and rolling for upper body rotation i.e. let the bigger muscles do the heavy work. On his point regards the 50/50 I use a style that uses the bottom hand as the leaver and the top hand the pivot point. As Al Buhr explained to me one time the bottom hand should do the passing out i.e. the bottom hand is always moving faster than the top. So even though the top had is moving it is just a moving pivot (fulcrum) another thing that he showed me was to imagine that the butt of the rod is a spike and as you start you forward delivery you pull it down as if you were going to stick it in the ground and then start to pull in the bottom hand. Try this with a roll cast and you will not believe the efficiency of the cast. Hope that this helps Fishhunt.ie
__________________
|
|
#13
|
|||
|
|||
|
O yeah fishhunt, there are very useful information for me. Still thinking about this pause. Not 100% sure what I have to change. Sorry maybe of knowledge of English language is problem.
Thank you |
|
#14
|
|||
|
|||
|
This is a page from a book i recently finished it will be printed by merlin unwin later this year i have drawings but could not get them on here for some resion. If you would like to see them i can e-mail just send me a mail to philip@fishhunt.ie
The double Spey cast is used when there is a downstream wind, in order to keep the fl y on the safe side of the body and the wind also assists in the formation of a D-loop and with carrying the fl y-line when it is in fl ight during the forward cast. A waterborne anchor is employed during the setting up sequence of the cast. As with all Spey casts, the feet are positioned ready, in line, for the forward cast and the top half of the body is turned to face downstream. To begin with the rod tip is held close to the water, with the fl yline straight downstream and this is achieved by standing in a relaxed posture with the arms hanging down the sides of the body and the hands holding the rod butt loosely. Next lift the rod-tip vertically, sweep upstream, tracing a horizontal rod-tip path, which will cause the fl y-line to be aerialised, and then drop the rod tip vertically, whilst at the same time throwing an upstream loop on the water. The size of the loop will determine the downstream anchor position and may be adjusted to compensate for a fast fl owing current or a longer fl y-line. It is important that the rod tip ends low, close to the water. Most of the line, outside the rod tip, will now be on the water and this will form a waterborne anchor. Following this, the fl y-line is peeled off the water by sweeping back downstream and tracking a shallow inclined path with the rod-tip. The speed at which the sweep is made ensures that the fl y-line is always under tension as it is peeled off the water’s surface and it is also important to sweep outwards for the same reason. The wider the sweep the better the resulting D-loop at the end of it. Continue to sweep until the rod tip passes over the forward cast anchor position and at this moment circle up with the top hand to throw a big D-loop, whilst pushing with the bottom hand to draw the fl y-line back to the correct anchor position. Ultimately, the hands will come up to the key position in readiness for the forward cast. Contrary to intuition, this cast should not be hurried, especially during the formation of the waterborne anchor and it is helpful to look at the tip of the fl yline, rather than the upstream loop, to ensure that the anchor is placed in the correct position. The bottom hand is dominant for most of this cast and so this means that the hands are crossed over when the waterborne anchor is made and the bottom hand is used to sweep the fl y-rod back round when the fl y-line is being peeled off the water,fi nally pushing outwards to help with a good D-loop formation. The top hand is used mainly for circling up. Often not enough energy is put into the D-loop back cast and so much of the line remains on the water and this causes line stick as the forward cast is made. For the same reason the anchor is not pulled back and lined up, so the resulting cast is less effi cient because a bloody L is created. The casting-angle determines where the upstream anchor is placed, if it is a small angle the rod-tip may have to be brought into the bank initially and the anchor loop may be thrown out towards mid stream. For a square cast the loop may have to be brought right round directly above the casting position, depending on the length of line being cast. Where there is limited room for a D-loop it is possible to make a limited back loop and then to throw the line out in the direction of the forward cast and then make a roll cast to deliver the fl y-line to the target. This is known as the “Perry Poke”.
__________________
|
|
#15
|
|||
|
|||
|
Link to drawing of double spey
__________________
|
![]() |
| Thread Tools | |
| Display Modes | Rate This Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Spey casting vs Underhand casting. | fredaevans | Casting Video | 14 | 04-23-2012 08:16 AM |
| Casting Slow Rods vs Casting Fast Rods | skip_scratch | Rods | 34 | 11-25-2011 07:13 AM |
| Shooting spey casting (or any casting for that matter) | fredtrout | General | 0 | 07-18-2005 04:29 AM |